#Torrent net uptime monitor windows

#Torrent net uptime monitor windows

Fixed a bug that could cause the application to crash when dragging a clip from the Windows Explorer or Finder to a storyboard.

When the Working color space drop-down is set to Rec.709, the Convert to drop-down list in the Adjust Color workspace now defaults to 709(800) Hypergamma for HDR source clips so the default preview is not washed out or dark. Improved transcoding performance when Optimize encoding speed was selected in the Encode mode drop-down list when using some NVIDIA GPUs. Improved audio processing to preserve audio levels when transcoding from stereo to mono or multichannel formats. The File tab in the Inspector now indicates whether NRT metadata (non-real-time metadata) exists for the selected clip. The File tab in the Inspector now displays Color primaries and Coding equations metadata for the selected clip. Added support for reading Rec.2020/HLG and Rec.2020/PQ metadata in ProRes clips. Select this check box if you need to preserve a clip's UMID (Unique Material Identifier) when copying it to a Sony deck via FTP. Added a Preserve source UMID check box in the copy pane. SDR knee parameters have been revised for the compatibility with HDRC-4000, ABS mode. On the HDRC-4000, the SETTING MODE should be set to SONY SYSTEM CAMERA, and the ABS mode should be set to enabled. Note: The Master black and HDR black offset values should match the settings on the HDRC-4000 HDR Production Converter Unit. Select the Black adjustment switch and drag the Master black slider to set the master black level and drag and the HDR black offset slider to apply an offset to the Master black value for HDR content. Added new Black adjustment controls in Application Settings to adjust black levels when the Working color space is set to Rec.2020/S-Log3 (HDR). Added full- and half-resolution render presets when transcoding to DPX and OpenEXR formats. White balance adjustment (Adjust Color > Source Settings > Temperature and Tint) has been revised for compatibility with Sony cameras. Added support for s709 LUT look profiles when the Source Color Space Convert to drop-down list is set to S-Gamut3/S-Log3 or S-Gamut3.Cine/S-Log3 and the Working color space drop-down list is set to Rec.709 or Log. Added new Anamorphic desqueeze and Masking ratio settings in the Clip Settings menu. Added support for VENICE RAW/X-OCN files. Note: If the drive you want to format is not displayed in the Devices tab, you may need to format it using your computer's operating system first. In Organize mode, select a USB drive in the Devices tab, click the Tools button, and choose Format for PZW-4000 from the menu. Added support for formatting USB drives for the Sony PZW-4000 deck. The MXF file style item in the Inspector File tab now indicates whether the selected MXF clip is a growing or closed clip. Added a Close growing files check box in the Copy pane to close growing files generated by Sony decks. Growing files are closed automatically after copying.

Added support for copying growing MXF files via FTP/FTPS from Sony decks. Changed the default audio pan type from Constant Power to Balanced to prevent possible audio-level changes during transcoding. Full-range color is also supported for external-monitor preview. Areas outside 0-100% are shaded in the histogram monitor. The waveform and histogram monitors now display full-range (-7.3% to 109.1%) rather than clipping at 0% and 100%.